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Tailwind CSS v4 default palette

Tailwind yellow-700: #A65F00

In Tailwind CSS v4, yellow-700 is defined as --color-yellow-700: oklch(55.4% 0.135 66.442), which is #A65F00 in hex and rgb(166, 95, 0): a medium-dark, moderately saturated brown. In Tailwind v3, yellow-700 was #A16207.

yellow-700#A65F00

In OKLCH, yellow-700 has a lightness of 55.4%, chroma 0.135 and hue 66.4°.

This OKLCH value lies outside sRGB. The hex #A65F00 is the sRGB fallback from the CSS Color 4 gamut mapping algorithm; on Display P3 screens browsers show a more saturated color, close to color(display-p3 0.6131 0.3867 0.058).

In v3, yellow-700 was #A16207. The v4 value is ΔE OK 1.4 away, below the point where most people can tell them apart; v4 is more saturated.

Tailwind yellow has very high lightness through 400, so only the 700 and darker shades are suitable for text on white.

Color codes for yellow-700

Color codes for yellow-700
Tailwind v4 token--color-yellow-700
OKLCH (source value)oklch(55.4% 0.135 66.442)
HEX#A65F00
RGBrgb(166, 95, 0)
HSLhsl(34, 100%, 33%)
HWBhwb(34 0% 35%)
CMYK (naive, no ICC profile)cmyk(0%, 43%, 100%, 35%)
Decimal10,903,296
Display P3color(display-p3 0.6131 0.3867 0.058)
Tailwind v3 hex#A16207
Utility classesbg-yellow-700, text-yellow-700, border-yellow-700

Tailwind yellow scale

Contrast and accessibility

On yellow-700, white text has a contrast ratio of 4.93:1 and passes AA for normal text; black text reaches 4.25:1.

WCAG 2.2 contrast ratios (success criteria 1.4.3 and 1.4.6: AA needs 4.5:1 for normal text and 3:1 for large text, AAA needs 7:1 and 4.5:1). APCA Lc is the lightness contrast from the APCA-W3 0.0.98G model proposed for WCAG 3; a higher absolute value is more readable, and Lc 75 is its suggested minimum for body text.

Contrast and accessibility
PairRatioAAAA largeAAAAAA largeAPCA Lc
Black text on yellow-7004.25:1FailPassFailFail30.4
White text on yellow-7004.93:1PassPassFailPass−79.1
Yellow-700 text on white4.93:1PassPassFailPass73.7
Yellow-700 text on black4.25:1FailPassFailFail−28.0

Tints and shades

Each step mixes var(--color-yellow-700) with white (tints) or black (shades) in gamma-encoded sRGB, the same result as color-mix(in srgb, var(--color-yellow-700), white 25%) in CSS.

Tints (mixed with white)

  1. 5%
    #aa670d
  2. 15%
    #b37726
  3. 25%
    #bc8740
  4. 35%
    #c59759
  5. 45%
    #cea773
  6. 55%
    #d7b78c
  7. 65%
    #e0c7a6
  8. 75%
    #e9d7bf
  9. 85%
    #f2e7d9
  10. 95%
    #fbf7f2

Shades (mixed with black)

  1. 5%
    #9e5a00
  2. 15%
    #8d5100
  3. 25%
    #7d4700
  4. 35%
    #6c3e00
  5. 45%
    #5b3400
  6. 55%
    #4b2b00
  7. 65%
    #3a2100
  8. 75%
    #2a1800
  9. 85%
    #190e00
  10. 95%
    #080500

Color harmonies

Rotating the hue in OKLCH while keeping lightness and chroma, yellow-700's complementary color is #1778BC (close to steelblue), its analogous colors are #B35135 and #8A7100, and its triadic partners are #00887D and #875BB0. For text on top, white gives the higher contrast.

Color harmonies
HarmonyRotationColor
Complementary+180°#1778bc
Analogous−30°, +30°#b35135#8a7100
Triadic+120°, +240°#00887d#875bb0
Split-complementary+150°, +210°#00829f#5f69c0

Computed in OKLCH: the hue is rotated by 180° (complementary), ±30° (analogous), ±120° (triadic) and 180° ±30° (split-complementary) while lightness and chroma stay fixed. Results that fall outside sRGB are brought back with the CSS Color 4 gamut mapping algorithm. Because this uses OKLCH, the values differ from tools that rotate hue in HSL, but every color keeps the same perceived lightness.

Warm or cool?

Tailwind yellow-700 is a warm color: its hue is 34° on the HSL wheel, in the red, orange and yellow range (0° to about 70°, plus reds above 330°) that is conventionally called warm.

Nearest named and Tailwind colors

Distance is ΔE OK, the Euclidean distance in OKLab multiplied by 100. Values under about 2 are hard to tell apart side by side.

Nearest CSS named colors

Nearest CSS named colors
ColorHEXΔE OK
sienna#a0522d5.8
chocolate#d2691e9.2
saddlebrown#8b45139.3

Nearest Tailwind v4 colors

Nearest Tailwind v4 colors
ColorHEXΔE OK
amber-700#bb4d005.3
yellow-800#894b008.1
amber-800#973c009.4

Code snippets

Tailwind CSS
<div class="bg-yellow-700 text-white">...</div>
<p class="text-yellow-700 border-yellow-700">...</p>
CSS
.element {
  color: var(--color-yellow-700);
  background-color: oklch(55.4% 0.135 66.442);
  border-color: #a65f00;
  outline-color: rgb(166 95 0);
}
SwiftUI
import SwiftUI

extension Color {
  static let yellow700 = Color(red: 0.651, green: 0.373, blue: 0.000)
}
Jetpack Compose
import androidx.compose.ui.graphics.Color

val Yellow700 = Color(0xFFA65F00)
Flutter
import 'package:flutter/material.dart';

const yellow700 = Color(0xFFA65F00);
Android XML
<!-- res/values/colors.xml -->
<color name="yellow_700">#A65F00</color>

Frequently asked questions

What is the hex code for Tailwind yellow-700?
In Tailwind CSS v4, yellow-700 is oklch(55.4% 0.135 66.442), which converts to #A65F00 (rgb(166, 95, 0)) in sRGB after gamut mapping, because the OKLCH value is outside sRGB. In Tailwind v3 the same name was #A16207.
What is the difference between yellow-700 in Tailwind v3 and v4?
v3 used the hex #A16207; v4 redefined the palette in OKLCH as oklch(55.4% 0.135 66.442). In v3, yellow-700 was #A16207. The v4 value is ΔE OK 1.4 away, below the point where most people can tell them apart; v4 is more saturated.
How do I use yellow-700 in plain CSS?
Tailwind v4 defines every palette color as a theme variable, so in CSS you write var(--color-yellow-700). By default Tailwind only emits the variables your project uses; @theme static emits all of them.
Can you use white text on yellow-700?
White text on yellow-700 has a contrast ratio of 4.93:1, which passes AA for normal text but not AAA under WCAG 2.2. Black text reaches 4.25:1 and passes AA only for large text (24 px, or 18.66 px bold, and up). In APCA terms that is Lc −79.1 for white and Lc 30.4 for black.
Which CSS named color is closest to yellow-700?
The closest is sienna (#A0522D) at ΔE OK 5.8, followed by chocolate and saddlebrown.

Last reviewed by Arielton Oberek.